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Jordan rakei new album

Rakei discusses his latest album and new music he's working on that will sound completely different from everything he's done so far. Ninja Tune. As PopMatters sat down to speak with multi-instrumentalist and producer Jordan Rakei , neither of us had any idea of the havoc that the coronavirus would soon be playing on both our lives. It may seem like a lifetime ago, but at the time, the media was dominated by news of the tragic fires that had recently ravaged large swathes of Australia. Having lived in Australia from the age of three before moving to London to pursue a music career, this was a very personal tragedy. When we spoke, he was preparing for an acoustic set as part of a "Good Neighbours" benefit concert to help the aid effort. Although primarily, the gig was a fundraising event, it also gave him a chance to strip songs from his most recent album Origin down to their bare bones without the support of his normal, five-piece band. Released in June last year, Rakei's third album, Origin , was widely acclaimed as his most strikingly inventive and accomplished album to date. However, it's Rakei's ability to tie the songs around a single unifying theme -- that of our slow, submission to, ever more intrusive, advancements in technology -- that raised the whole thing to another level. These broadly dystopian themes added a whole new layer to the vividly rich, hook-laden songs while also highlighting his desire to wrench himself free of his comfort zone.
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Rakei moved to London from Australia four years ago, and quickly became immersed in the UK scene. In his solo work, Rakei makes jazz-imbued sounds that lean intricately into hip-hop and soul alike. He has found fans in seminal producers such as Robert Glasper and Terrace Martin , while Nile Rodgers is also an admirer. It was after spending time in the studio with the Chic mastermind that Rakei decided to explore hookier, funkier territory than before. His latest LP, Origin , is full of a rich, cinematic musicality that feels poppier, sparklier and more breezily ambitious. Lyrically, too, things are more expansive and conceptual: yes, there are still considerations of love, dreams and anxieties; but Rakei is also interrogating broader questions of technology and its disruption of everyday experience. Facebook Twitter Pinterest. Topics Pop and rock One to watch. Reuse this content. Order by newest oldest recommendations.

Growing up, he played the piano and guitar, and later learned digital production with an Akai MPC sampler. Rakei's first release was Franklin's Room EP in , self-released via Bandcamp , aged 21 years old. After working with artists such as FKJ and Tom Misch , in December he was part of a Grammy nomination [11] for his work on Disclosure 's track "Masterpiece", released on their album Caracal. Rakei released his debut album Cloak through his own label, Records on 3 June On 6 June , it was announced that Rakei had signed to Ninja Tune records and would be releasing his next album with them. On 22 September , Wallflower was released on Ninja Tune. In , Rakei released the single "Wildfire," released on 10 May , [25] and also provided the vocals on the Nightmares on Wax track "Typical. On 26 February , Rakei released "Mind's Eye," the first single from his then unannounced third album. From Wikipedia, the free encyclopedia. Jordan Rakei.

Rakei discusses his latest album and new music he's working on that will sound completely different from everything he's done so far. Ninja Tune. As PopMatters sat down to speak with multi-instrumentalist and producer Jordan Rakei , neither of us had any idea of the havoc that the coronavirus would soon be playing on both our lives. It may seem like a lifetime ago, but at the time, the media was dominated by news of the tragic fires that had recently ravaged large swathes of Australia.

Having lived in Australia from the age of three before moving to London to pursue a music career, this was a very personal tragedy. When we spoke, he was preparing for an acoustic set as part of a "Good Neighbours" benefit concert to help the aid effort.

Although primarily, the gig was a fundraising event, it also gave him a chance to strip songs from his most recent album Origin down to their bare bones without the support of his normal, five-piece band.

Released in June last year, Rakei's third album, Origin , was widely acclaimed as his most strikingly inventive and accomplished album to date. However, it's Rakei's ability to tie the songs around a single unifying theme -- that of our slow, submission to, ever more intrusive, advancements in technology -- that raised the whole thing to another level.

These broadly dystopian themes added a whole new layer to the vividly rich, hook-laden songs while also highlighting his desire to wrench himself free of his comfort zone. For an artist who rarely sits in the same creative spot for too long, it seems a little strange then that he should now be releasing an expanded edition of Origin Origin , complete with two new songs, a reinterpretation of "Signs" and various live interpretations of songs from the album.

Therefore, the most obvious starting point is to ask what was the thinking behind the release? Also, I had lots of live recordings of radio and acoustic stuff that I really loved as well. In the old days, people may have just put that on a B-side vinyl, but I thought it'd be cool to get all of these songs together and put them on a record with some new and exclusive material to give the album another life and hopefully it will.

Usually, an artist will release an album, tour it extensively and then put it to bed before readying themselves to enter the next creative phase. For Rakei, the release of the expanded edition offers the chance to experience the whole thing for a second time. The whole modern-day album cycle thing. You release the album, and then you do that one tour in whatever territory and then go and write the new one. So this is my first experience of having that second wave. Things are going to sound completely different just for our own enjoyment.

Without a doubt, one of the highlights of the expanded edition is the superb, "Borderline", a song that has existed in many different forms over the years. So I wrote that song sort of acoustically then, but I was never able to find the right sound for it, and one day I sat in my studio and sort of totally changed it up. It was more of a soulful, hip-hop beat that had lots of different chord changes, but I wanted to make it much more minimal and emotional.

I already thought that a lot of the stuff on Origin was driving and funky, and I wanted a different vibe to that. I experimented with it. I made an acoustic ballad with strings, and I was like, 'Nah, can't do that.

It's had its twists and turns, but I think it exists in the best way it can now. Where do relationships lie at that time? I can't wait for people to hear it because it's been in my head for like five years now.

The headline-grabbing addition to the re-release is undoubtedly Rakei's collaboration with US rap legend Common on a reinterpretation of "Signs". To snag a genuine hip-hop superstar who has worked with some of the biggest producers in the game, including Kanye, Pharrell, and Questlove, still seems incredible to someone who remembers listening to his albums walking around the streets of Brisbane.

I've been a fan since I was a kid, so the fact he's on one of my songs will be one of the highlights of my career, probably. So, did he consider asking any other artists before Common? He was like, 'I'm getting the sense that everyone is imperfect and so just embrace being human', and I was like 'exactly'. My lyrics were more themed around embracing your imperfections in that dystopian world when things are falling apart. Finding your journey in yourself and discovering who you are kind of thing, and he got that straight away, and he connected with the lyrics.

His lyrics were aligned with what I was going for, which is cool because I think sometimes you get rap features that don't seem to make sense. Rappers just rapping their verse without any real thought of the lyrics or the content of the other artist. I was slightly worried about that, but he clearly tailored his verse to fit my verse.

Alongside the new songs, sit fascinating interpretations of songs from Origin taken from various radio and web sessions. It's a chance to hear how the songs have evolved since the studio when they were meticulously arranged utilizing studio technology. We're constantly having to think and rethink so that the sound stays big and full without using any tracks. That's the constant struggle, but it's one I always look forward to. Making the sound big with just the five of us.

With Origin having been released in June last year, it comes as little surprise that work is well underway on the follow-up. However, don't expect anything close to Origin part two. When I made my first album, Cloak , I was discovering all these ideas in how I could arrange and Wallflower was a growth on that and then I discovered writing on guitar and melancholy sounds.

Origin is like a collection of all of my sound out into one. I feel like I've achieved my sound in what I can develop myself. Creatively, Rakei finds himself at something of a crossroads.

Having steadily worked towards crafting his most realized album to date, now is the time for him to lose himself down new musical avenues. However, that comes with its own pressures especially considering his fan's perception of him "I've kind of defined myself as a soul singer and soul artist, but I like all types of music, so I feel like now is the time.

If I released another soul album, I'd be pigeonholed as a soul singer. I think that's the main challenge that's been in my head. That's driving me. I feel that is how I can only grow as an artist.

I need to push myself to change. Otherwise, I'll be stuck in that box, and it's a box I'm not ashamed of, but there are so many other facets to my sound. I don't know what the sound is yet, but I want it to be different so people can understand me differently. As a result, his approach to writing new material has been markedly different so far with him taking on a much more collaborative role as well as being inspired by the disparate musical tastes and backgrounds of his bandmates.

So, in a way, I'm challenging myself to be this kind of old school external producer collecting people's talents, vibes, and sounds. Trying to be a driving force rather than this person playing every instrument. For now, the next album is going to have to wait a little longer as he breathes new life into the songs on Origin. With retrospective tours having been a consistent draw for several years, it raises the question of how he thinks he'll perceive the album in the future. I just have more fun when I'm doing something different.

In ten years, I could be making folk music with a banjo, who knows! John Lewis and C. Vivian were titans of the Civil Rights struggle, but they are far from alone in fighting for change. Eric Etheridge's masterful then-and-now project, Breach of Peace , tells the stories of many of the Freedom Riders.

Singer-songwriter Mike Mentz reflects on his troubadour lifestyle in the uplifting Americana of "Ain't That the Life". Johnathon Ford has overseen Unwed Sailor for more than 20 years. The veteran musician shows no sign of letting up with the latest opus, Look Alive. Jazz trombonist Nick Finzer shines with his compositions on this mainstream jazz sextet release, Cast of Characters.

Australian rockers Datura4 take inspiration from the never-ending coastal landscape of their home country to deliver a well-grounded album between blues, hard rock, and psychedelia.

A heavy feeling of loss pervades Old Man Gloom's new albums as these songs are a way of coping and documenting grief, as well as commemorating how much Caleb Scofield meant to the band. Mathematician Alex Pavesi's debut novel, The Eighth Detective , posits mathematical rules defining 'detective fiction'.

Eyedress' Let's Skip to the Wedding is a jaggedly dreamy assemblage of sounds that's both temporally compact and imaginatively expansive, all wrapped in vintage shoegaze ephemera. The ongoing persecution of LGBTQ individuals in Chechnya, or anywhere in the world, should come as no surprise, or "amazement".

It's a motif undergirding the history of civil society that certain people will always be identified for extermination. Can food alone undo centuries of anti-immigrant policies that are ingrained in the fabric of the American nation? Padma Lakshmi's Taste the Nation certainly tries. There's a song performed in James Whale's musical, Show Boat , wherein race is revealed as a set of variegated and contradictory performances, signals to others, a manner of being seen and a manner of remaining hidden, and it isn't "Old Man River".

The album was released 55 years ago this week, and it's the kick-off to our new "All Things Reconsidered" series. With Every Bad, Porridge Radio seduce us with the vulnerability and existential confusion of Dana Margolin's deathly beautiful lyricism interweaved with alluring pop melodies. Yet from a Native perspective, this current catastrophe links to a longer history that is synonymous with European colonization. All rights reserved. PopMatters is wholly independent, women-owned and operated. The Beatles. Music The 10 Best Experimental Albums of Music of all kinds are tending toward a consciously experimental direction.

Books John Lewis, C. Music Datura4 Travel Blues-Rock Roads on 'West Coast Highway Cosmic' Australian rockers Datura4 take inspiration from the never-ending coastal landscape of their home country to deliver a well-grounded album between blues, hard rock, and psychedelia. Music Eyedress Sets Emotions Against Shoegaze Backdrops on 'Let's Skip to the Wedding' Eyedress' Let's Skip to the Wedding is a jaggedly dreamy assemblage of sounds that's both temporally compact and imaginatively expansive, all wrapped in vintage shoegaze ephemera.

Film Performing Race in James Whale's 'Show Boat' There's a song performed in James Whale's musical, Show Boat , wherein race is revealed as a set of variegated and contradictory performances, signals to others, a manner of being seen and a manner of remaining hidden, and it isn't "Old Man River". Music The Beatles' 'Help! John Lewis, C. The 10 Best Experimental Albums of The Beatles' 'Help! MetalMatters: July - Back on Track.



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